Please Select a Review
|The Art of Partimento by Giorgio Sanguinetti, and
The Italian Traditions and Puccini by Nicholas Baragwanath
in Journal of Music Theory 57 (2013): 119–129.
|Communication in Eighteenth-Century Music, ed. Danuta Mirka and Kofi Agawu
in Eighteenth Century Music 7 (2010): 121–124.
|The Cognition of Basic Musical Structures by David Temperley
in Music Theory Spectrum, 26 (2004): 336–340.
|What to Listen for in Rock by Ken Stephenson
in Music Perception, 20 (2003): 491–497.
|Harmonic Function in Chromatic Music by Daniel Harrison
in Integral, 9 (1995): 91–98.
|The Analysis and Cognition of Melodic Complexity by Eugene Narmour
in Notes, (1994): 1430–1432.
|The Analysis and Cognition of Basic Melodic Structures by Eugene Narmour
in Notes, (1992): 588–590.
|Cognitive Foundations of Musical Pitch by Carol L. Krumhansl
in Music Perception, 9 (1992): 476–492.
|The Rhythms of Tonal Music by Joel Lester
in Journal of Music Theory, 34 (1990): 101–107.