The web-based series Monuments of Partimenti is funded by a Scholarly Editions Grant from the National Endowment for the Humanities, hosted by Northwestern University, produced at Northwestern's School of Music, and edited by Robert Gjerdingen (Chicago, USA). We would like to thank the anonymous reviewers of our NEH proposal, the grant administrators both at the Endowment and at Northwestern, and Dean Toni-Marie Montgomery of the School of Music for their continuing support.
Prof. Jesse Rosenberg (Chicago, USA), Prof. Rosa Cafiero (Milan, Italy), Prof. Giorgio Sanguinetti (Rome, Italy), and Prof. Stephen Shearon (Murfreesboro, USA) advise the series not only about partimenti but also about the broader scope of Italian music culture and history.
The series aims to provide free and easy access to the partimento repertory, and in doing so hopes to encourage research into the music-cognitive world of eighteenth- and nineteenth-century musicians.
All material in the series is in the public domain and may be freely copied and redistributed.
To contact the editor with questions, corrections, or comments, please click here.